Chloé Saï Breil-Dupont - 'Joys Sleep Here'
Vernissage 10.01.2026
11:00 – 19:00
Spinnereigalleries winter tour
Exhibition: 11.01. until 01.03.2026
Chloé Saï Breil-Dupont (b. 1990), also known by her Vietnamese name Bùi Khuê, is a French-Catalan-Vietnamese artist whose multidisciplinary practice moves between painting, drawing, and narrative forms. Her work explores memory, identity, and the fluidity of belonging, often weaving together personal mythology with collective histories. Born in Paris, she studied at the Beaux-Arts in Biarritz and Annecy, followed by philosophy studies at PUC University in São Paulo. Breil-Dupont has participated in numerous international residencies, including La Villa Belleville (Paris), Ateliergemeinschaft Milchhof (Berlin), and La Villa Saigon (Ho Chi Minh City). In 2017 she created ‘Le Livre O’, a graphic novel distributed by major institutions such as the Centre Pompidou and the Palais de Tokyo. Between 2018 and 2020, she lived in Carrara, Italy, developing a distinct painterly language rooted in introspection and material sensitivity. Her recognition as one of the three laureates of the Jean-François Prat Prize in 2021 marked a significant moment in her career.
Recent solo exhibitions include all doors opened (Nicodim, Los Angeles, 2024), Our Tongues Have the Taste of Powder (Nicodim Upstairs, Los Angeles, 2023), I NEVER BROKE UP WITH YOU (Newchild Gallery, Antwerp, 2022), and The Unknown Beginning of a Very Long Story (Galeria Nicodim, Bucharest, 2022). Breil-Dupont currently lives and works in Ho Chi Minh City. Ở đây, ở đó và ở khắp mọi nơi is her first exhibition in Vietnam, tracing the intersections of displacement, intimacy, and return through a deeply personal visual language.
'Creatures'
A group exhibition at Kunstmuseum Heidenheim with works by (a.o.) Theresa Rothe
From 21.06. – 05.10.2025
The exhibition Creatures, on view in the Hugo Rupf Hall, plays with this question—highlighting the dual meaning of the term: on one hand, a being that exists between categories and challenges norms; on the other, a creative act—as the Latin root creare suggests.
Featuring sculptural works by ten artists, the show guides visitors from charming, familiar figures into increasingly uncanny, hybrid forms. Techniques range from ceramic, wax, and textile to 3D printing and industrial materials—each probing the boundaries of recognizable bodies, merging organic with technoid, human with animal.
Kunstmuseum Heidenheim
Marienstraße 4
89518 Heidenheim a. d. Brenz
We are very delighted to announce a new collaboration with Chloé Saï Breil-Dupont, an exceptionally talented artist whose distinctive vision and refined sensibility bring a compelling new dimension to the gallery’s programme.
We look forward to supporting her upcoming projects, including a solo exhibition at the gallery. Further details will be shared very soon.
'These Are a Few of My Favourite Things' - Sarah Pschorn and Winnie Seifert
Surface tension, density, weight: forms that resist sentiment and insist on presence.
Vernissage 13.09.2025
Spinnereigalleries autumn tour
13.09.2025: 11:00 – 19:00
14.09.2025: 11:00 – 16:00
Exhibition: 13.09. until 18.10.2025
Sarah Pschorn is a sculptor living in Leipzig. Her ceramic sculptures are often reminiscent of vessels, containers or vases, which become symbolic carriers of her ideas and thoughts. In her works, she demonstrates an extraordinary understanding of ceramics as a material and at the same time an unconventional and artistically exciting approach to the material. Intuitively, quickly and yet carefully, she balances and stacks forms made of clay and porcelain, exploring the limits of the sculptural mass. Fragments, found objects made of glass or metal and casting moulds are incorporated, as are historically known ornamental forms from the Baroque period or elements from Pop Art and Modernism.
Sarah Pschorn, Hydra II, 2025, porcelain, glaze, lustre, glass, circa 40 x 20 x 20 cm
Winnie Seifert's paintings are the manifestation of memories and observations that move her and her surroundings. She creates emotional landscapes from glazed and impasto applications of paint. She intuitively chooses a high-contrast colour palette - blue, pink, bright yellow - to make spontaneity tangible. A brute style can also be juxtaposed with delicate colourfulness. The abstract rhythm of spots, veils and cyphers opens up a space of thought that is free for individual ideas and experiences, although contradictory truths are also allowed to take their place.
Winnie Seifert, Phantom, oil on canvas, 170 × 230 cm
'WIN/WIN' at Museum Gunzenhauser, Chemnitz
With works by a.o. Valentina Plank
from 31.08. - 26.10. 2025
Opening: 30.08. 2025, from 6 pm
The exhibition displays art purchases made by the Cultural Foundation Kulturstiftung des Freistaates Sachsen in 2025 and showcases 26 newly acquired works spanning painting, sculpture, photography, installation, and video.
Museum Gunzenhauser
(Kunstsammlungen Chemnitz)
Falkeplatz, 09112 Chemnitz
12.07. — 31.08.2025
With: Stefan Brock, Hubertus Giebe, Felicitas Goltz, Lou Hoyer, Lena Keller, Rosa Kirsch, Mahsa Merci, Jonas Mosbacher, Opal Mae Ong, Peggy Pehl, Jochen Plogsties, Danielle Roberts, Theresa Rothe, Céline Struger, Elizabeth Tibbetts
A chill in the air. A presence in the shadows. A crack in the familiar. The exhibition explores a shared terrain of strangeness, tension, and the unseen — a threshold between waking and dreaming, between inside and outside, between what is visible and what is deeply felt.
'Someone is in my House'
curated by Lætitia and Sophie
More information: info@shebam.art
The exhibition is to visit under our summer opening times:
Fridays & Saturdays from 11.00 to 17.00 and on appointments
'I didn't exist for 20 years' Deutschlandfunk Kultur, Zeitfragen podcast about female artists in the GDR featuring Laetitia Gorsy in conversation with Natalie Kreisz in Doris Ziegler’s exhibition ‘Nicht ohne Einander’
LISTEN ONLINE: www.deutschlandfunkkultur.de
Doris Ziegler: 'Messages of transience: Leipzig gallery shows Doris Ziegler'
LVZ: article by Ingrid Leps
READ ONLINE: www.lvz.de/kultur
'Why “Ugly” Ceramics Are So Appealing'
article by Maxwell Rabb
feat. Sarah Pschorn, Nitsa Meletopoulos
READ ONLINE: www.artsy.net